Hargla Company

The intimacy of passing by. Heading home, to work, to see a friend, to buy dinner, or perhaps to the cinema. As the seasons change, we encounter fellow passengers along the way. They commute, sit, wait, get bored, maybe sometimes stare at their small screens more than through the windows – but they always reach their destination. Alongside them are kiosk vendors, vegetable and flower sellers, janitors, and drivers, whose daily routines complement the journeys of the travellers. Public transport stops become intimate crossroads, offering us an unexpected, moving visual symphony of Riga neighbourhoods.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Based on a Soviet propaganda story about Young Pioneer (the Soviet equivalent of a Boy Scout) Morozov, who denounced his father to Stalin’s secret police and was in turn killed by his family. His life exemplified the duty of all good Soviet citizens to become informers, at any expense. In our film, 75 years later, we call him little Janis. He is a Pioneer who lives on the Soviet collective farm “Dawn”. His father is an enemy of the farm (and the Soviet system) and plots against it. Little Janis betrays his father; his father takes revenge upon his son. Who then in this old Soviet tale is good and who is bad? This film reveals that a distorted brain is always dangerous. Even today.

A story about life in two minutes.

The Hijacker lands the plane at the Rīga Airport. 7 year-old Tom, travelling on his own, voluntarily becomes a hostage. Along with the traditional demands, the Hijacker adds the demands of the little hostage – beginning with some local chocolate and a self-instruction tape for learning the native language, and ending with organizing a Song Festival and a special biathletes’ performance – all ideas originating from a CD on Latvia.

An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.

This documentary follows a bustrip from Tallinn to Kaliningrad. A route that was so common in the Soviet times now passes through 4 different countries and crosses 3 different borders.

A man in a grey coat roams the city. He is interested in boys and men. Those good enough for him will get a green bag. Marija is home alone. She is the only woman to get a green bag. But the film does not end quite there.

Just like ordinary people, whole nations often wonder why their neighbors are living better than they are. For example, where did the Estonians living on Mohni Island suddenly get bicycles and sewing machines? Could the answer have some connection with the Latvian cargo ship "Rasma", which sank near Mohni in 1941?

Waterfall and I, and – no, the other way around! This film is, of course, about nature – human nature. Or – what a human can do with the widest waterfall in Europe.

There should be silence in a museum. And someone should see to it that the silence is there. It's the logical order of things. However, it might seem weird to somebody.

A shop by the side of the road. One after another, people enter and exit the small building. The randomness and illogical nature of the action feels unreal. The sense of timelessness and of being in an unnamed place further heightens the dreamlike nature of the scene. The nearly motionless black-and-white camera records a fragment of life in a place torn from the context of the world.

A film about a plastic spoon and a society that has reached a high level of development – oil is being retrieved from subterranean depths, transported to processing plants, turned into plastic, transported to another plant, where it acquires the shape of a spoon, transported to convenience stores, where we buy it, and is then soon tossed into the trash. In other words, this is a film about the efforts put into making a spoon that can be thrown away so effortlessly.

A CrossFit trainer becomes the father of a baby girl, Snow White. Snow White’s mother dies, and her father marries a young woman obsessed with CrossFit and herself. She works out all the time in order to be the best. And she really is the best – she can do 50 burpees. In the meantime, little Snow White plays and grows up in the CrossFit gym. Time passes, and one day it turns out – while the Stepmother can do 50 burpees, Snow White can already do 53 burpees...

Once upon a time there was a chimney. By the chimney - there were three houses. In the houses there were seven girls. All of them - blondes.

As soon as I finished my first marathon, I wanted to become a tripod in order to make a film about it. That is because words are certainly not the right instruments to tell us what it’s like to run a marathon. I think we can try to show it through the characters, noises, texts, lights, the absolute physical understanding of shadows and of the sun, the water, the motions and the serenity. For those who do not practice running in marathons because they don’t want to or because they can’t, I wish to bring something from inside the marathon, out; for example, for my Mum, whose legs ache. I am acting like a spy sent into the marathon.

Playfully avant-garde and exhibiting an intriguing sense of humor, PIZZAS offers a puzzle of widescreen imagery, brash pop moments, and road movie ambience. Pakalnina, Latvia’s best-known director, spun this cryptic but airy comedy/tragedy from a news item about two 18-year-old fast-food workers who robbed their employer’s safe and split. (Gene Siskel Film Center)

The First Bridge is a film about frontiers, barriers, the ways to cross over and see what goes on, on the other side. But it also a film about time, as it was shot on Kodak Negative Films acquired in the year 1997 and discovered intact in 2018.

It is what it is. One needs a reason to get a passer-by to stop in their tracks and stand in front of the camera for a while. In this case the reason was - Mozart.

Rubiks’ Road is a bicycle path built in the 1980s and named after Alfreds Rubiks, leader of the Latvian Communist party at the time. One of the most ferocious opposers to Latvia’s independence in the early 1990s and later elected to the European Parliament.