In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system (Mumbai's Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
Biopic on the father of the nation of Bangladesh, Sheikh Mujibur Rahman. The film will showcase his growing up as a child to his standing up against all injustice in his youth to fighting for the independence of his country. How he led a country to it's independence with his inspirational presence and fight for the justice.
Two zanies open a photography studio. They score a partnership with a gossip magazine that suddenly thrusts them into a world of corruption, murder, and hijinks.
After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna is sent to a traveling circus to earn money to pay for the bike's repairs, but soon winds up in the streets of Bombay's poorest slums. There, he befriends the drug dealer Chillum and young prostitute Sola Saal, while trying to make enough money at a neighborhood tea stall to repay his debt to his family.
After his wife passes away trying to cross a mountain, Manjhi, out of sheer rage, sets on a quest to carve a road through the treacherous mountain.
Pappu is a truck driver. Supporting his parents and extended family is beyond his means. Now, he has been presented a plan. An accident will be staged. Pappu will "die". Insurance payments are substantial.David and Kiran, a middle class urban couple, with their son Aditya, are on a holiday. Aditya will be accidentally separated from them during a brief halt at a Dhaba. And his loss will only be discovered several hours, and several hundred kilometers later. They must double back to find him. Poonam is an 11-year old-year-old child from the city.
Shasanka is a retired teacher who lives with his wife and two daughters. The family is thrown into an uproar after he goes out for a walk and disappears from their lives. Each member of the family reviews her final hours and days with him to try and discover what, if anything led to his disappearance.
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
A father encourages his daughter to marry a dying man in order to inherit his wealth.
Set in post-colonial India, Qissa tells the story of Umber Singh, a Sikh who is forced to flee his village due to ethnic cleansing at the time of partition in 1947. Umber decides to fight fate and builds a new home for his family. When Umber marries his youngest child Kanwar to Neeli, a girl of lower caste, the family is faced with the truth of their identities; as individual ambitions and destinies collide in a struggle with eternity.
A woman decides to fight against her powerful oppressor. When the guard of a chilli factory helps her, the women and the teacher of the village join them to openly defy the prevailing repression.
Prime leader of a campaign against a big government project is killed in what appears to be a road accident. An IAS officer is ordered to probe the incident and the veils of falsehood begin to drop.
The first and only Indian movie to be made in Sanskrit. The movie follows the life and times of Sankara - the founder of the non-duality (Advaita) school of Indian philosophy.
Inspector Joshi is a grieving father searching for his daughter Aruna, kidnapped years ago when she was six. In his despair, life converges with a recurring dream in which Joshi pursues a shadowy figure who leads him to 'Paradise', a night-club where teenage girls dance to a leering crowd. He is convinced he will find Aruna there and vows to bring her back to Leela, his broken wife.
Arvind, a rich businessman's son, dates the office secretary but is engaged to marry someone else. With a complicated family background, he struggles to find meaning in his life.
The story is about a simple man with high moral values. Avinash (Farookh Shekh) is a poor but self respected guy. His policy is to earn while you learn. He excels in his studies and wishes for an idealistic society to live in. He wants to change the world with truth and simplicity. Movie has beautiful Gazals from Jagjit Singh and Chitra Singh
In this topsy-turvy romance, Gulshan Grover plays Prabhod, a filmmaker at work on his latest movie with director of photography M (Atul Kulkarni). When M is introduced to the project's star, Sushmitha (Masoomi), the actress is instantly smitten. But during shooting, Prabhod begins to have feelings for Sushmitha as well. To further complicate matters, Sushmitha's seductive mother (Rathi Agnihotri) also stirs things up. Who will end up with whom?
The story espouses the evils of drink, Parvathi (Lakshmi) is a happy girl just married to a very loving husband, Karuppan(Sreekanth). With kind parents-in-law and a doting husband, her life is blissful. Soon, she is blessed with a child. Karuppan wants to increase his earnings and decides to buy a cart, though Parvathi is unwilling, asserting it is happier to be contented with what they have. However Karuppan takes a loan from a money lender and buys a cart. Initially, everything looks rosy. But Karuppan happens to cross the toddy shops on his way home.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
