Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.
A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.
All Vida wants is a baby. Instead, she is trying not to lose her mind as she juggles the men in her family - her sexist grandfather, her infertile husband, and her dad, a man-child.
Leo is an Italian who lives in Slovenia. Vučko is a Bosnian who arrived to Slovenia as a child refugee. Leo continues to stay in Slovenia because of his ex-wife Tanja and his son Luka, hoping that they can become a family again. When the bank refuses to grant a loan Leo and Vučko would need to renovate their restaurant, they have no choice but to accept an offer from Gianni, a swindler. They are tasked with stealing Gianni’s truck so that he can collect the insurance money. However, instead of stealing Gianni’s truck, Leo and Vučko mistakenly steal a truck full of refugees. Vučko the refugee and Leo the migrant themselves thus inadvertently become responsible for destinies of people similarly unfortunate as they had once been. In order to solve their financial problems, they decide to sell the refugees. At first it seems that they are not indifferent towards these people, but with each passing day there is less and less humanity left in Leo and Vučko.
A documentary about the dizzying rise and fall of the Slovenian information technology giant Iskra Delta
Rajko is a professional magician who broke his arm during one of his performances, but his insurance company, Tangenta, refuses to pay his insurance claim because of a bureaucratic error. Outraged by the injustice, only the kind-hearted insurance agent Marcel comes to his defence and tries to help by arranging a meeting with the director of Tangenta himself. But the meeting soon goes awry when, to Rajko's surprise, Marcel unexpectedly kidnaps the CEO in a fit of anger and soon they all find themselves on the run together.
Sarajevo Safari, a documentary by Slovenian director Miran Zupanic, uncovers little-known shocking details about the Bosnian War of the 90s. The film is about rich foreigners who paid money for the opportunity to shoot civilians in the besieged capital of Bosnia and Herzegovina from the positions of the Serb army. The film showcased at the Al Jazeera Balkans International Documentary Film Festival garnered great interest.
A Slovenian thriller feature.
Liza, an ambitious pianist, plays the piano for an older, successful man, Marko, while he has sex with other women. Apart from the mysterious concerts, Liza's life is a lonely routine of estranged relationships. Liza looks out of the window at the life she has never had and seeks an escape from her loneliness in Mark.
While helping his father with the family business, a disgruntled teenage boy is stuck on a small boat with an older tourist. As the boy anxiously waits for his father to return with the daily catch, the tourist starts making lewd suggestions.
A hunter heads out to the mountains to mend his broken heart. On his way he can’t escape the visions of his lover who left him. As he loses his mind, his dark side comes to life. The shadow tells him to hunt down the mythical Goldhorn and ultimately leads him to his demise. Based on a Slovenian folktale, this is a story about greed and our relationship to nature.
An animated-experimental film which, in accordance with the process of creation – the chemical and thermomechanical processes – features coincidences as its immanent part and thus tries to surpass the conventions of traditional animation and narration.
Lucian (13) would like to fit in. He doesn’t want to be ridiculed, so he decides to go skiing for sports day even though he can’t ski at all. One lie leads to another, and finally to a flurry of untruths that put Lucian in an unbearable situation he can’t escape from.
A reckless boy in an almost desperate and therefore troublesome way persistently seeks the attention of his father – a photographer. Being confronted with his father’s artistic chaos and his obsessive fascination with photography-life, on his path of growing up these elements eventually become essential for strengthening their father-son bond. In a story that intertwines hand-drawn and stop animation in collage technique, the author takes his audience on a ride through the archive of Slovenian photographer Dragiša Modrinjak, and at the same time draws from personal experience as a filmmaker and father.
Underpaid and undermined, a Slovenian village pastor pours her heart and raw personal trauma into ministering to her parishioners. But as the cracks in her private life deepen, the woman beneath the collar must choose between true faith and real healing.
Two mice discover a big wheel of cheese. Paradise, no less! But how to get in? One mouse has made it, its little brother is outside on his own and must watch out for the hungry cat. Inside the cheese wheel, the mouse lives like a king, eating its way through the yellow treat. But every bite brings it closer to the collapse of its house …
A middle-aged man, wandering around the dark music clubs of Ljubljana, meets an attractive girl and together they go to her home. When everything goes as he imagined the girl asks for a favor.
Cinda Real is a fairy-tale about a girl stigmatised for having only one leg, and her desire to dance, “just dance”.
A Slovenian horror short.
A musical-documentary film about five high school students from Koper who drove Yugoslavia crazy in the late 1960s. Despite a handful of their own original compositions, they filled halls and football stadiums with more than 10,000 visitors. The Ljubljana Exhibition and Convention Center and the Tivoli Hall were opened in Ljubljana. They laid the foundations of the Yugoslav music industry. The Kameleoni pulled back the Yugoslav Iron Curtain and helped the entire generation break free from the shackles of ideological and cultural post-war monumentalism.
