Nadador Cine

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. When the affair is discovered, he is threatened with losing his job and a family. This is where the story of Natalia, professor at the University of Buenos Aires, begins. She starts an affair with her student Gonzalo. Two stories, as two sides of the same coin, and will question the power relationship that is established between genders, and the emerging path towards the deconstruction of pre-established gender roles.

The employer is a young man who apparently has everything going on for him except one pressing concern: his baby’s health. The employee is looking for a job to support his newborn too, so does not hesitate when the first decides to hire him to work in his lands. Both will meet their needs by helping each other. But one day an accident happens. This unexpected event will strain the ties between them, endangering the fate of the two families.

Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.

A love story escaping neoliberal times.

The peaceful summer holiday of a US champion of the board game Third Reich is shattered when a tourist mysteriously disappears at sea.

When Felipe’s ex-girlfriend breaks his heart, it feels like it’s the end of the world – and he’s not wrong. A strange zombie plague is unleashed on the paradise beach his friends have taken him to get his head in the right place. This is how the hectic pursuit for survival begins, where telling apart the living from the dead becomes the hardest part. Felipe will do whatever it takes to save his life, his friends’ lives and Ana’s life, a beautiful and problematic girl. Who would’ve guessed a zombie apocalypse would be the beginning of a new life and new love?