In the context of Australia's cold war a 'hidden history' of Melbourne's Realist film movement (1945-1959) is explored through the first person account of a filmmaker of another generation, speaking to the 'indy-media' movement of the present day.
Russian actor and pedagogue, Gennadi Bogdanov, presents the most important etudes and principles of Vsevolod Meyerhold's Biomechanics. Includes archival photographs and film of Meyerhold's original work and also recent scenic work from Europe and the U.S. developed on the principles of bio-mechanics.
