Studio Miniatur Filmowych

A fantasy biography of Franz Kafka, bringing to life the writer's diaries and photographs.

Polish animated short film that uses unconventional film techniques such as cut-out, drawing, filming miscible fluids and scratched images. Also uses non-camera technique such as drawing directly on film. The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms' techniques and calls for respect for the environment.

From cowboys to cannons, diving to racing, perhaps nothing can stop this stuntman

A self-consciously Kafkaesque tale of a winged lonely man literally devoured by totalitarian rule.

Kajetan, a dog and famous detective, and his assistant, Cat Makawity, try to solve the mystery of the director's disappearance and the problems of other creatures from the neighbourhood. Only the Secret of Marabou’s Code can stop Chameleon, a dangerous criminal.

Short animation by Alina Maliszewska about two lovers trying to kill themselves

A lonely bachelor blushes at a look from a woman spotted on the street. He is really randy when he sees other women on the street. The more confident he is, the more attractive he is.

Displaced by the Second World War, a troop of Polish soldiers form an inseparable bond through an orphaned bear they name Wojtek.

The story of a duel between a knight who, at a certain point, is fighting against himself.

In a simple but powerful way, director Ryszard Czekala presents the horror that happened in Nazi concentration camps: prisoners’ dread, humiliation and lost humanity. Its directness and style is sometimes interpreted as a response to the trend of allegorical and philosophical filmmaking that dominated Polish animation in the 1960s.

Allegorical animated short about the power of creation and destruction. An unknown man carries a wicker basket filled with elements resembling human figures. After their combination the small creatures are come to life. The creator tries to force them to listen. As a result of refusal, a conflict arises.

It is still one of the most popular Polish animated films. Servants prepare the table for a luxurious dinner party in a beautiful palace. Guests are gathering slowly. Suddenly they are surprised by an unexpected change of roles between the eater and the one who is eaten.

The princes and princesses, according to the will of their father, King Fafala IV, try to defeat Captain Palemon, the king of the pirates. Will the bravery of the royal sons or the grace of the royal daughters defeat the famous pirate?

Ironic impression on the value of Polish money. The leitmotif was a animated image of working miners from an old 500-zloty banknote. . .

An elderly traveler arrives on an alien planet. The natives greet him friendly. Cosmic virgins want to clone the guest so that each of them would have him for herself. The man from planet Earth manages to escape, but his clones remain where they are.

Two shades of paint are pitted against each other in a bullfight that spills self-reflexively from the page into the animator’s studio