National Indigenous Television

A journey into the emotional landscape of family, love and loss of two close friends, both Aboriginal, who were adopted by white families and have connected back with their bloodline families.

Martha, an Indigenous woman, works tirelessly in a laundromat, until the monotonous routine is interrupted by a mysterious visitor who reminds her of the life she left behind.

Phil Breslin embarks on an adventure to unlock the hidden secrets of the Dutch Dakota and its fortune of lost diamonds.

In the early 1800s, Adnyamathanha children of the Flinders Ranges were inspired, schooled and entertained by their interactions with Country. Here, three adventurous Adnyamathanha kids set out for a day of exploration near their camp. They play games and spook one another with tales of ancient creatures. They see unusual tracks that set their hearts and imaginations racing. Then, unexpectedly they make a discovery that changes their lives forever.

Powerful and poignant, Her Name is Nanny Nellie offers us the rare privilege of bearing witness to a family reclaiming their history. In 1925, the Australian Museum commissioned three statues of ‘full blood ’Aboriginal people: a child, a man and a woman, exhibited as nameless objects to be studied as examples of a ‘dying race.’ The woman was Nellie Walker, Irene Walker’s great grandmother and director Daniel King’s great, great grandmother. Now Irene is on a journey to retrace Nellie’s life and to reconnect the other families to their ancestors’ statues and re-display them, this time with their names, identities and dignity. This is far more than a symbolic quest, but an opportunity to change how we remember and represent, and to give the nameless names.