The President is the story of a dictator of an imaginary country in the Caucasus, who is forced to escape following a coup d’état, and begins a journey to discover his country in the company of his five-year-old grandson. The two travel across the lands that the President once governed. Now, disguised as a street musician to avoid being recognized, the former dictator comes into contact with his people, which he comes to know from a different point of view.
Bahar, the commanding officer of the Daughters of the Sun, a battalion made up entirely of Kurdish female soldiers, is on the cusp of liberating their town, which has been overrun by ISIS extremists.
Washed up British film director, Emil, who is invited by a nascent state to make a national Epic in an obscure Caucasus Republic ruled by an eccentric and corrupt dictator. When down and out Academy award winning British film director Emil Miller receives an invitation to the Embassy of the Autonomous Republic of Karastan, little does he know that he will be embarking on one of the wildest journeys of his already diverse and colourful career.
Soviet Georgia, 1983. Preparations for Nika and Ana's wedding are in full swing and it's a big day for both of their elite families. For the newlyweds and their friends, however, the celebrations are in fact part of a cover-up, as they plot an audacious escape from the Soviet Union.
When Sandro’s father decides to devote his life to God and leaves for a monastery, the teenage introvert finds himself deprived of the fundamental certainties of life. Abandoned by his father and his mother, who is working abroad, the young man embarks on a journey of self-discovery, opening up both to a new friendship with the radical Lasha, who has ties with an ultra-right organisation, and also to the chance to explore his own sexuality. George Sikharulidze’s perceptive feature debut considers how fine the line is between the observer and the observed, and asks where contemporary post-Soviet Georgian society is heading as it hovers on the border between religious conservatism and nationalisation on the one hand, and the desire for independence and modernisation on the other. Natalia Kozáková (kviff.com)
Shindisi tells the story of the 2008 Russia-Georgia war through the fate of 17 Georgian soldiers who died during the Shindisi battle. The script was written by Irakli Solomanashvili based on real facts and the cast includes Georgian actors as well as real Georgian soldiers with combat equipment.
It's 1992. Young Dina lives in a remote mountain village where life is strictly governed by centuries of tradition. Dina's grandfather has promised her to David, who is returning from the war. But with him comes a comrade-in-arms, the handsome Gegi, and Dina falls in love. Is it possible to defy the firmly established order?
Abby Brennan refuses to accept the news that her sister Beth is dying. Her last hope: an experimental and expensive treatment she believes could save her sister’s life. To pay for this, Abby takes a job as consulting geologist for a Georgian uranium mine. When she chances upon a rare and mysterious meteorite fragment in the remote taiga, she thinks she has found the golden ticket to Beth’s cure. But on her flight home, the helicopter crashes and she is stranded in the relentlessly cold wilderness. There is a beacon of hope; John, an American pilot whose plane was brought down in the harsh conditions, guides her in his direction through the radio. As Abby fights her way across an unforgiving landscape, she gradually realises that John is not who he claims to be and that he has an ulterior motive…
Nina is barely 40, she is attractive and successful: a stable marriage, a trusting relationship with her husband, a little son, a favorite job. The idyll of pleasant stability is broken by a call from the past - Nina's ex-lover Ruslan is dangerously ill and asks her to come to Tbilisi to see him, perhaps for the last time. The husband does not mind, he knew about their relationship in the past. Nina is happy to go to the city where she was happy in order to support a once loved one in a friendly way. She believes she loves her husband and family and plans to return home soon, not expecting this light trip to be her last.
After the collapse of the Soviet Union in 1991, presidential and oppositional forces confronted each other on the main avenue of Tbilisi, the capital of Georgia. Gia, a soldier of oppositional forces during the civil war, needs to get medicine for his sick son. While on a desperate search for the drugs, he accidentally encounters a school buddy, who's fighting on the opposite side.
Continuously working on her sewing machine, a woman seems to light up the night in the neighbourhood. A tribute of the director to his grandmother, the film is a tender everyday chronicle of the frequent power outages during Georgia’s first independent years, as well as of the endurance and imagination of the people, always ready to celebrate every time the power supply is temporarily restored.
Injured and starving, Crow falls in the yard of the Church. He tries to get food in the Church, but believers kick the devil's bird out of God's house. The crow ends up on the shoulder of the scarecrow, but after the storm, the scarecrow is stripped from its clothes and believers discover the holy cross instead of it, and now the poor bird is kicked out from his new safe place as well...
If your friend is a crook, you can get in a big trouble.
The plot revolves around the residential complex "Venice", which cannot be completed for seven years. Twenty would-be owners gather in one of the apartments to start negotiations with a potential investor who wants to build a restaurant on the first floor of the building, but this space is already owned by the priest. Some of the tenants must donate their own area, so as not to anger God.
