The Philippines is visited by an average of 20~28 strong typhoons and storms every year. It is the most storm-battered country in the world. Last year, Typhoon Yolanda (Haiyan), considered the strongest storm in history, struck the Philipines, leaving in its path apocalyptic devastation.
In a drought-struck region in India, suffering from climate change and a high suicide rate amongst farmers, a group of resilient women farmers, who recently lost their husbands, is coming together with a local psychologist to learn counselling and help others in grief.
Mohammed El Kurd is a Palestinian boy growing up in the neighbourhood of Sheikh Jarrah in the heart of East Jerusalem. When Mohammed turns 11, his family is forced to give up part of their home to Israeli settlers, who are leading a campaign of court-sanctioned evictions to guarantee Jewish control of the area. Shortly after their displacement, Mohammed’s family and other residents begin peacefully protesting against the evictions, determined not to lose their homes for good. In a surprising turn, they are quickly joined by scores of Israeli supporters who are horrified to see what is being done in their name. Among them is Jewish West Jerusalem resident Zvi Benninga and his sister Sara, who develop a strong relationship with Mohammed and his family as they take on a leading role in organizing the protests.
What makes a mother give away her baby? This is the big question in Sun Hee Engelstoft’s poignant heartbreaker of a film about three Korean women who have become pregnant outside of marriage and are now hiding from the outside world until they give birth. They live in a shelter for unwed mothers on a South Korean island, where beautiful landscapes are in sharp contrast to the fierce dilemma that women go through: should they keep their children or give them up for adoption? Engelstoft has been given unique access to this particular shelter run by the strong-willed Mrs. Im, who fights for the girls’ independence but is up against a social structure and family tradition that leaves women in an impossible situation. Engelstoft’s sensitive portrait brings us close to a forbidden world and through her own experience as a Korean adoptee, she gives a deeply personal and extraordinary insight into a culture in which women can’t choose their own fate.
A visual exploration of the abandoned site of the former Armed Forces’ Hospital in Gwangju, South Korea, through rubbles, dusts, wild grasses, debris, ruins and human bodies. Haunted by memories of the failed democratic uprising in May 1980, the hospital opened in 2018 as a special site for the 12th Gwangju Biennale.
