Wüste Film

Carl’s life runs like clockwork: every day, he goes door-to-door delivering books to a handful of loyal customers. He knows their preferences and takes pride in selecting the perfect story for each of them. But his well-ordered life is turned upside down by a cheerful nine-year-old girl, Schascha, who decides to join him on his daily book round. Schascha’s unique outlook on life helps Carl to come out of his shell and realise that his customers are so much more than just that to him. But when Carl unexpectedly loses his job, this vibrant community starts to fall apart - and it will take the power of books and all Schascha’s determination to bring them back together again.

A successful artist loses control of his life after his young daughter's death. A chance for a new start appears, but all is not what it seems.

In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…

Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.

One day, robot Robby enters into a life of the most creative little boy, Toby. Robby had been separated from his robot parents when his spaceship crashed. Toby decides to offer his help and the two of them become friends.

The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

Bavaria, Germany, 1950s. The sudden return of the young Kathrin to the small village where she was born stirs up the feelings of guilt and personal ghosts of its inhabitants, haunted by dark memories related to a multiple murder that happened two years earlier at the Tannöd farm, a hideous crime that remains unsolved.

Kishori, unmarried and mother to a daughter, and her sister Sonal live in a house in Berlin. The house and a cafe on the ground floor are led by Kishori. All of a sudden, her strict and traditional grandmother comes for a visit from India. She wants to sell the house unless Kishori agrees to marry the father of her daughter, Robert. As Kishori feels obliged to all the befriended inhabitants of the house, including Robert, to keep the house, Kishori und Robert prepare to have a traditional Indian wedding.

A married couple retreats to a luxury, high-tech, fully automated house on a remote island. The house AI system goes rogue and turns against them.

Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.

Vienna, Austria, 1912. The brilliant painter Oskar Kokoschka, considered one of the main representatives of the expressionist movement, has a tumultuous relationship, both professional and romantic, with the composer Alma Mahler.

After Lucy (17) finds out that she was conceived during a porn shoot she sets out to find her father and meets Udo, a has-been former porn star. Together this unlikely couple go on a journey during which both find more than they bargained for…

The era of the feared sea pirates Klaus Störtebeker and Gödeke Michels is coming to an end. After a long period with no booty at last a bulging ship appears on the horizon. However, Störtebeker is badly wounded in the attempted capture and the pirates suffer ignominious defeat. Not only their ship is down the drain - Störtebeker himself is suddenly plagued by anxiety and doubt about his very existence as a pirate. He is drawn to the beautiful country girl Bille, while Michels gets rebuffed by the friesian princess Okka. In the very moment that the crew have mutinied and co-captain Michels is literally at the end of his tether, they discover on board their ramshackle old tub a most unique wonder weapon. Glory days are quickly revived - until the mighty Hanse consolidate their power and weaponry and go to war against the pirates. Störtebeker and Michels are forced to decide: To live as a farmer or to die as a pirate.

André, 55, lives with his mother Louise, 80, and leads an unspectacular life. He works as a taxi driver while the elderly diva dreams of bygone days as an actress in Hollywood. One day the charismatic Bill, 50, an American, turns up on their doorstep - a stranger who will soon turn their quiet life upside down.

Unsuccessful Luxembourg bank robber Johnny Chicago is released from prison and immediately and incompetently attempts to resume his life of crime. In a few days he manages to get his old partner fired and thrown out of the house, his girlfriend arrested and jailed, all the while scheming to rob a bunch of German pensioners, stop a train and make some quick money to make a name for himself.

Gisela involuntarily ends up studying in the cosmopolitan city of Chemnitz. There she meets her friends Jana, Fred and Meryam, with whom she spends her nights out, fights with Nazis, eventually founds the band Superbusen and, through music, hopes to find answers to all the problems life throws at her.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Mia, who lends her voice to a Japanese Anime super heroine, finds reality and fiction to be interlacing more and more. Suddenly, Mia can see electricity, leap off rooftops and save people’s lives. But as Mia’s superpowers grow, so does her awareness of looming danger. Just as in the Kimiko anime, hostile powers are planning a massive electric blackout to destroy the city, maybe even humanity itself. And while Mia tries to save everybody from the imminent crisis, it's her own stability which seems to be put at stake.

A teenage girl helps an escaped fugitive flee Germany into France, after extracting a promise that he will help her commit suicide.