Georgia-Film

Georgian bush pilot Valentin (Valiko) Mizandari a.k.a. Mimino works at small local airlines, flying helicopters between small villages. But he dreams of piloting large international airlines aircrafts, so he goes to Moscow for refresher courses. There in a hotel he meets truck driver Robik who is given a place in that hotel by mistake, and they have a lot of adventures in Moscow. Always amicable and open to people, Mimino does not feel at home in the big city. Nevertheless, he becomes a pilot of a supersonic jet liner, the Tupolev Tu-144, flying all over the world. But feeling homesick, he finally comes back to his native town of Telavi in Georgia, to his family and friends.

An elderly lion tamer can't even tame a dog anymore, however he can not retire from his favorite job and so he is forced to do tricks himself instead of lions.

During World War II, оld Georgian peasant wine-grower Georgy leaves his Georgian village and goes off to the front line, hoping to find his son. George should see and transfer a lot of things, he becomes a soldier and only in the last days of war finds the son...

When Imeda’s father is killed in a blood revenge accident, the family moves him to the city where he is sheltered at his father’s friend. After fifteen year he gets back to Khevsureti. A talented painter, he spends most of his time doing sketches of nature and people. There he meets a local beauty, Mzekala and fells in love with her but finds out that Torghva is also in love with her. Enraged by Imeda’s impudence Torghva calls him for a sword fight and is killed by Imeda. To avoid another round of blood revenge, the villagers let Imeda and Mzekala out of the village but someone who wants Imeda’s blood finds it out and follows them.

Georgia of the 1920s. An honest, charming, but naive fisherman Lado helps all those in need. And they benefit from his kindness, first of all the miller Stephen, a greedy person, but times are changing and people like Stephen have no future.

A film version of a well-known Georgian folk-tale. A young boy has to be immured into the walls of a fortress in order to stop it from crumbling to pieces.

Marita arrives at a small village in Georgia to live with her aunt. She meets a poor young lad, Gedia, and falls in love with him. But her relatives are determined to marry the girl off to a local rich man…

The day after his funeral, the corpse of Varlam Aravidze, the mayor of a small Georgian town, turns up in his son's garden. Although it is secretly reburied, the corpse keeps returning until the police capture the local woman who is responsible. This woman says that Varlam should never be laid to rest since his Stalin-like reign of terror led to the disappearance of her family and friends.

Vazha, also known as Pkhinko, is a kind hearted person. He cannot remain indifferent when a man is beaten, but if he deserves it, he can punish himself and go to prison for it.

The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...

The story is based on Konstantine Gamsakhurdia's novel and depicts the social and political changes taking place in Soviet Georgia in the 1930s through the line of the main characters: Tarash Emkhvari and Arzakan Zvambaya.

Amidst the hills of the ancient city of Mtskheta, an aging man nearing his hundredth year is forced to make way for a new road being paved through the blossoming garden of floral delights that he loves and cares for.

Sulkhan Iberieli, the famous scientist and the head of the excavation of the desert monastery complex, does not have the funds to finish his work. He is forced to turn to different authorities and people for help. He is supported by a young archaeologist, Tamriko, but their efforts end in failure.

Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights. Now presumed dead by those he loves, he performs for the poor and unfortunate on his journeys through the wilderness. Parajanov's visually ravishing 'tableaux vivants' tell Lermontov's romantic tale while Turkish and Azerbaijani folk songs transport us into its mystical landscapes.

Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.

Directed by Temur Babluani.

Gia is a carefree young percussionist who works at a theater in Tbilisi, capital of Georgia. He lives in a small apartment with his mother. Gia spends his days flitting from friend to friend, lover to lover, avoiding any responsibility, and never staying still for five minutes. However, he always manages to arrive at the theater just in time to play the drums at the end of the ballet.

The film tells the life of a Georgian woman from 1920s to the present day. Love, marriage, Russian annexation and collectivization, world war, loss of children - Sidonia went through many sorrows and troubles on her way of life, but she always maintained spiritual courage and hope for the future.

In the hot summer of 1917, the nineteen-year-old peasant Georgy Zakareishvili left his village in search of work and, settling on a French ship, soon found himself in Paris, where he married a Frenchwoman. Modest wealth, beloved wife, sons and a faithful friend helped him to endure separation from his homeland. When the opportunity came to his homeland, George was already old and could not postpone the upcoming meeting with his native Georgia. He tried to convey his love to his grandson George: he sang folk songs, taught Georgian, talked about the people of his village. And now, in fulfillment of his grandfather’s orders, George the Younger took his ashes to his homeland...

A biography of the Georgian primitive artist Nikoloz Pirosmanishvili (1862–1918), better known as Pirosmani, who died of starvation and sold his paintings to bars and restaurants for food and drink. The film experiments with color control techniques based on the painter’s style.