Produksi Film Negara

Eyang Susana made a gift agreement with a demon named 'Jaran Penoleh'. The agreement made her have to prepare sacrifices in the form of 10 year old children to the devil. If can't, then Eyang Susana's life will be at stake.

In his wanderings, Wiro Sableng (Atin Martino) is involved in the business of painting naked women. The painting that the painter wanted to give to his prospective student disappeared along with the painter's death. Thanks to the guidance of Dewa Tuak (Arthur Tobing), Wiro meets Permani (Eva Chitra), who is involved in a love triangle. Wiro intervened again. As a result, there was a fight between the two schools. In the middle of the fight, another fight emerged which turned out to be over the painting that Wiro was looking for. Wiro solves all problems.

The official story about the events surrounding the 30 September 1965 coup d'etat carried out by Colonel Untung, the Commandant of the Cakrabirawa Battalion. Seven generals were murdered and Major General Soeharto is depicted as the saviour. A very detailed and "convincing" docudrama from a certain point of view.

Produced as a profile on the Military Police Corps, we see the romance between Wati and Karmawan. Subur, on the other hand, is treated by Wati as a casual friend. However, Wati's parents pair off their daughter to Subur. The conflict between personal interest and professional duty begins when Subur is captured by a gang of thugs. As a commanding officer, Karmawan is assigned to rescue his subordinate, Subur, whereas he will have a chance with Wati again, if he does not do anything about it.

Suparto is a middle-ranked officer who is moved to Jakarta. In the city, he meets Harjiman, the licensing importer. Then Harjiman introduces him to Roostinah whose task is to seduce Suparto for help in securing the import licenses. Suparto's wife, Sulastri, comes to Jakarta when she hears about her husband's unfaithfulness. Then Suparto realizes that Roostinah is sent to seduce him, but when he returns to Sulastri, she rejects him. His crime is discovered and Suparto is sent to prison. When he completes his sentence, Suparto joins the migration to Sumatra. Then Sulastri accepts him again.

The status of natives and the Dutch is like earth and heaven. Abidin, a native, is forbidden to associate with Frieda, a girl with Indonesian and Dutch blood. After they are separated by the circumstances, Abidin, who already has a family runs into Frieda again. Although they still have some feelings towards each other, they must face each other as enemies. This last meeting brings Frieda to her tragic end.

A story about a father's love and patience for his daughter and a soulmate who will always find a way for anyone who believes and believes.

Tells about Tegar, a person who doesn't believe that COVID-19 really exists.

How well we know our cup of coffee?

Tamin is one of the village boys who are ensnared by Japanese propaganda to enroll as Heiho (auxiliary soldiers). He joins the mission to Burma (Myanmar) during World War II in the Red Cross division. When the Japanese forces are defeated, Tamin and his friends are brought back to Java and handed over to the Dutch who are attempting to rule the country one more time. Tamin is forced to join the Dutch military (KNIL) to fight his fellow citizens. After Indonesia gains full sovereignty (1950), Tamin chooses to return to the village. But his heart remains uncertain as his friends accuse him of not participating in the struggle for Indonesia's independence. So Tamin goes to the city where he meets a fellow former Heiho, who is now in the Indonesian military force. His friend shows him that there are other ways to contribute to the national struggle. Then Tamin returns to his home, his village and his country.

Riuh tells the story of a group of residents in an alley in the corner of Jakarta who were given socialization to be aware of the virus. Although this pandemic has claimed many victims, there are still a number of parties who doubt the existence of this virus that spreads, one of which is through touch.