Nomadi

What does the question “to be or not to be?” mean? 86 year-old director Olģerts Kroders stages his fourth production of Shakespeare’s Hamlet at the Valmiera Drama Theatre. The theatre is more than merely his occupation, for he not only works there but also spends all of his time in it. The film depicts his routine and the rehearsal process up until the premiere, and provokes a dialogue using the four actors who have all played Hamlet in the different productions. Kroders’s life and the lives of the actors tell the history of Latvia and the fates of different generations.

This creative documentary tells the story of women in art – what she has to sacrifice in her personal life and what choices have to be made in order to gain success in her career. The film explores life of artist, by following theatre director’s Mara Kimele's fighting relationships with her despotic grandmother Anna Lacis (widely known as Asya, whose life is closely tied to the names of Walter Benjamin and Bertolt Brech), cynical son Peteris (who is played by an actor) and work while she stages F. Dostoevsky's “Crime and Punishment”. Every character of film is an act. But does that make them any less real? And what is real in the world of art? Apart from its human character's, the film also has an animated one – the horse, who came into life through the first letter Mara wrote to her grand mother and has been following her ever since.

A tragicomedy about the actions of four youths during the 10th Latvian parliamentary elections, and in the 100 days afterwards. Each represents a different political party and set of beliefs. In a time when Latvia is dominated by political nihilism, this film explores the political ideals of young people and their motivation to work towards a better future for their nation – through their hopes, work, victories and disillusionment.