CCCB

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

This correspondence between Spanish auteur Jaime Rosales and critical chronicler of contemporary China Wang Bing is divided into three short films each consisting of documentary observations.

Relationships and multiple influences between two great directors of modern cinema.

A hand becomes the protagonist in a piece that outlines, from a macro viewpoint, a city seen as a tactile scenario, with different women working on artisan crafts.

Discover the other city, the one we often call the periphery. Change the historical perspective of the hills as checkpoints and defense, as borders of the city, to reveal the boundaries between the mountain and the city as a point of connection with the origins

Through three different moments, between the sixties, the nineties and the present, the director portrays an emblematic place in Barcelona that has gone from being a marginal corner to becoming one of the epicenters of mass tourism. Somorrostro, now the beach, before the neighborhood, is the object of this dialogue between archival and current images that is also the reunion, between frames, of a granddaughter with her grandfather.