The film is set in Morro do Vidigal, one of the most famous favelas in Rio de Janeiro. Rita needs to give her son Léo a party that means a lot to her. But on the day of the party, she discovers that all the money for the event, which she had been saving for months, was stolen by Dudu. From this disappointment, Rita, who works at the beach, needs to race against time to make Léo's party possible and save Dudu's life. To do this, she will need the help of her friends.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
'The Last Party' is a young romantic comedy that follows a group of four friends at their high school graduation party. Each protagonist with their love dilemma to solve throughout the night, all connected by the issues of this generation. It's their last night as teenagers. The last night with friends before being separated by different colleges. The last night before the rest of their lives.
A couple face problems because he can no longer have sex with her. Always charged due to the lack of lust, he feels increasingly diminished in the relationship. That's when she presents a bold proposal: that they switch roles in sex, as a way of proving their commitment to the relationship.
“Welcome to Maracanã" is a documentary about the transformation over the last 20 years of the world-famous soccer stadium: Maracanã, once the largest stadium on the planet. Through the eyes of Enéas de Andrade, the man who carried injured players onto the soccer field, we see how public policies and major sporting events, such as the 2014 World Cup and 2016 Olympics, have changed the way Brazilians experience soccer games.
Conceição and Presto, an interracial couple, ask Presto's brother for his signature as a guarantor of the financial request supposed to assure them an apartment in Leblon, the whitest neighborhood in Rio de Janeiro. The process proves to be much harder than they had imagined.
Metro station. The tracks creak before we hear the sound of the train arriving. The wagons introduce themselves, one by one, as the train starts to brake. Amongst the hundreds of people it brings, there’s a boy with a backpack. Following his trajectory, we witness an initiation.
Alice, a young music lover, and her best friend Socrates, go on a road trip, accompanied by Tinho, a former rocker, to play at the world's largest cover band festival.
Jorge Amado was an aggregator and throughout his life formed a large collection of friends from all over the world, from the most diverse backgrounds and occupations. Many of these friends were important names in 20th century culture and thought. His house was always open to them, in a permanent celebration of the joy of living and the union between people. Among these friends, three had special importance: Caymmi, Verger, and Carybé. It is the history of this friendship, which went beyond real life and penetrated art and the battle for the valorization of popular culture, that our project dives into. A friendship that became the salt of Brazilian life.
In 1987, Brazil was goin through a serious economic crisis. In this context, the Brazilian Football Confederation announces that it doesn’t have the resources to finance that year's Championship. The main clubs in the country then decide to organize an independent competition. It was the beginning of a war that still echoes today.
