The story of a blind dervish named Bab'Aziz and his spirited granddaughter, Ishtar. Together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years. With faith as their only guide, the two journey for days through the expansive, barren landscape.
Djomeh is a young Afghan man who has come to live in Iran because of family trouble. Working as a milk boy, he encounters discrimination from the Iranian villagers and disdain from Habib, a fellow Afghani to whose trust Djomeh was given. The only person who shows any friendliness to him is his employer, who Djomeh asks to intercede for him in asking a woman from the village for her hand in marriage.
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks.
Japan and Iran are not in close relationship. More than 4 centuries ago, however, Persian carpets were used in the festival of Takayama, a historic city in mountainous area of Honsyu. A man planned to resume the carpet in the festival, and asked Kinue, a Persian carpet designer, to design it. Kinue's husband, Makoto, is a carpet importer. They send the design to Iran to weave the carpet. But just before Makoto goes to Iran to receive the carpet, Kinue dies of a traffic accident. A month before the festival, Makoto went to Isphahan, Iran, to receive the carpet. He brings his daughter Sakura, who does not open her heart after she lost her mother. To surprise, the carpet production has not even started. It will take 3 months from the start. For Makoto it means he betrays not only the festival planners but also his late wife.
