A short, experimental documentary featuring sculptures by Alonso de Berruguete and Juan de Juni. Shot within the Valladolid National Museum, the film is an excercise in what Val de Omar called "Tactile vision".
This short film "Torerillos 61" is one of the first works of the master Patino, which tries to portray the Spanish society of the time outside the state convention and dodging the hand of censorship. Social commitment is the brand director throughout his long career, starting with short films such as this one, made in the early sixties, in the wake of the statements in Talks Salamanca. The sadness off the characters portrayed is bleak, "Maletillas" (aspiring bullfighters) in search of luck to pull them out of poverty.
Documentary on the bull fights in Salamanca that commemorate the ending of the payment of tribute to the Duke of Alba in 1852.
The Duke of Gomara plays at high stakes in the casino, trying to impress his companion Estela. He loses all, and would have commited suicide, if it was not for Maria Eugénia, a beautiful girl who is there with her father - a banker. Out of jealousy, Estela tells the girl's father that the Duke is an international thief, to cover up for her lover - who is actually that. Things get pretty bad for the Duke, who is so unfortunate he has been given room 13 at the Casino's hotel.
A walk through the tropical forests and lakes of Spanish Guinea, shot on behalf of General José Díaz de Villegas y Bustamante, writer, geographer and head of the Spanish colonial administration in Africa.
Camelón and the princess Golosina are still in danger but Tobalito, always loyal, will help them no matter what happens.
