Aleksandra is a student from Krško, a small town in Slovenia. She has a plan to conquer the world. Working as a prostitute, her life is heading to where she wants it, but an accidental death has her wrestling with new feelings of fear, loneliness, confusion and responsibility
In Ljubljana lives a bus driver Stebe. He's a widower. He lives with five sons and a maid Rozi. The boys are very naughty and keep annoying Rozi and, in fact all neighbourhood. One day Rozi in desperation declares that she is leaving them, because she cant stand it no more. And she does leave, although she is fond of the boys. Soon afterwards Rozi's niece Meri comes by, asking if she might stay because she wants to find herself a job in town. Meri is good girl but cannot cope with the kitchen work as successfully as her aunt. But the whole Steb family seems to be charmed by her. Even one of Stebe's own colleagues, Tone, begins to take interest in the girl. Meri likes him too. Stebe's boys feel quite disappointed because of it. But all's well that ends well: in full conspiracy Meri qualifies as bus driver while Rozi returns to the Stebe family.
Two boys, Kekec and Rozle, come to serve a farmer, with a blind daughter Mojca, as shepherds. As the night falls, the two boys start talking about a woman who lives in the mountains and is supposed to steal children. Her name is Pehta. In the morning, Kekec, Rozle and Mojca go to an Alpine cottage and Kekec promises Mojca that he will find her a remedy for her eyes. As the girl is picking flowers, Pehta arrives and takes Mojca into her cottage. She wants to keep Mojca because of her singing.
Oton, a young boy, is growing up while his hometown Ljubljana changes, from 1934, when King Alexander of Yugoslavia is killed in France, through first the Italian and then the German occupations of the city, until the arrival of Communism.
A story of the witty boy Kekec, his friends and their adventures in the mountains of Slovenia during the summer.
The movie is based on the true story about a group of children, barely teenagers, who joined Yugoslav Partizans after losing their families in WW2. At first, Partizans want to get rid of them, but later they are joining combat ranks. Among them, Bosko Buha would become a legend because of his skill in destroying enemy bunkers.
Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.
At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.
Between the two World Wars, Yugoslavia was ruled by a monarchy. This movie explores the difficulties faced by a Communist Party organizer under that regime when an order goes out to kill anyone threatening the current regime. At first he is willing to leave the country, but his experience of the situation of workers moves him to stay. Despite efforts of captors to help him escape, he refuses, and dies a martyr's death.
The story of a forced march of the first proletarian shock brigade during World War II.
In Autumn of 1941, the German army, determined to put down a Communist-led uprising in Serbia, is conducting a policy of killing 100 hostages for any German soldier killed. The city of Kraljevo is the site of one of those massacres, portrayed in this movie.
Years after the end of the Bosnian war, a woman finds evidence that her young daughter, who disappeared during the war, might have survived and been adopted by a German family.
At the end of the last century hunters who hunted wild roosters, while waiting for prey to show up, were killing time with storytelling. The first story is about Jernac that had a fight with Tomas because of Rezika. Another story tells about Tincek, limp foundling, who spent his youth with the Komar family, where he fell in love with their Lencka. The third is the story of a rich Miholac whose attention was grabbed by poor Polonca, a romance that was opposed by his father. The central theme of all stories is love that eventually everybody die of.
This film is based on the true story about Jovan Stanisavljevic alias Charuga, the bandit who became a legend in post-WW1 Slavonia, Croatia.
The life of a man who dared to unfold the corruption and mismanagement in his factory takes a wrong turn as his marriage ends, his lover leaves him and he finds himself in a psychiatric hospital. After completing his stay in this mental institution, the gates of the factory are now closed for him. Will he be forced to apologize, or blood must be shed?
Due to misunderstanding and hard life, a man divorces his wife and leaves the city. He comes to a new environment, meeting new people and new wife. Crucified between two worlds, he does everything to bring her two sons on the right track, and getting on with his own life. Lost in that space, powerless to change things significantly, he commits murder.
The movie based upon the classical Slovene novel Martin Kačur, depicts the clash between the teacher Martin Kačur and his conservative environment. Due to his progressive ideas, he is transferred to a small town. The village environment is even more depressing than his former surroundings were, as the influence of both the secular and the Church authorities is even greater in the country. Even though Martin meets Tončka and the two of them get married, he gradually becomes a disillusioned and embittered man. In time, when society's strictures become somewhat milder, Martin is transferred to a more friendly environment, but all the injustices he has experienced have already bitten too deep. Unlike his wife, Martin finds it very difficult to accept changes. When his son dies, it seems as though he has lost all his elan and the will to live. Will he be able to go on bringing the light of knowledge to the ignorant masses, or will his ideals be buried forever like a man in a snowdrift?
In the wild times of the Second World War, Blanka marries political grandee Pavle, who is shortly afterwards sent to Goli Otok as a political prisoner. Blanka has enthusiasm for photography, becomes independent and opens a studio of photography with Laco. But soon she realizes that her business partner is an impostor. Pavle returns from prison, but their relationship, despite awareness of the political interference in their intimate sphere, imbues the bitter chill and misunderstanding. Blanka tries to drown her endless problems in alcohol and seduce her only male friend, but her last rescue, the thread of love, is being interrupted as well. Is every love of Blanka Kolak sentenced to death, is love possible at all, is worth living without it?
Jani, called just Polz by his fellows, is a sincere elementary schoolboy. He likes his schoolmate Hojka, but especially drawn to inventiveness. He is suported by his mother, his schoolmate Hojka and Fitipaldi. The rest of them, on the other hand his father, a teacher of physics at the top of list, show no recognition of his efforts whatsoever. When seeminghly on the verge of his first success, his device explodes and thus concludes his life of home expirimentation. Polz remains a kind of rebel and fanatic in the eyes of adults, but his younger brother is already promising to follow in his footsteps.
The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.
