ታዋቂ ከ Uzbekistan

The film tells the story of an elderly couple living a peaceful life in a village, with their eldest son living nearby and their youngest son working abroad. It depicts the struggle and conflict between two generations.

A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…

Mukhabbat, an Uzbek immigrant, works at a convenience store on the outskirts of Moscow. Just like the rest of the immigrants at the store, she is forced to work without getting paid and endure mental and physical abuse, until she overcomes her fear one day and takes her fate into her own hands.

Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.

Our four dear friends are about to graduate from school and start a big life. Khurshid is studying at a medical university, Hamdam is returning from the army, Jawahir is trying to earn money by pawning on the street, and Bakhtiyar is working under his father. They all still love Lola.

Since Fatima and Zuhra's brother did not come home one day, Fatima is worried and goes outside to look for him. Then, the street thugs kidnap and rape Fatima. Fatima commits suicide.

An agent of the Uzbek special services, Timur Saliev, is conducting an operation to seize the Scorpion terrorist group when he learns that his brother, whom he considered dead, is alive and belongs to this very organization.

The movie tells the story of two filmmakers seeking talented people for acting in a musical entitled Maftuningman (Delighted by You). One of the filmmakers travels to different parts of the Uzbek SSR in search of potential actors. Wherever he goes he meets exceptionally talented people and hears about other gifted people in different parts of the country. The actors for the movie were in fact chosen in this way from different parts of Uzbekistan.

Alisher and Dildora are in love in Osh, Kyrgyzstan. Soon they are married and even sooner they have a baby on the way. At just 18, the smitten couple had considered only romance, but now Alisher finds himself struggling to provide for his young family in the harsh economic climate of Osh. The only option left for Alisher, like so many of his generation, is to leave his new bride to try to make it big in Moscow. While the earnest love between the newlyweds has a sweetness stronger than their 3,500 mile divide, their relationship is now beset by challenges more dire than distance alone.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

The Mischievous Boy — "Shum bola", a film on the eponymous story of Gafur Gulyam about the adventures of a little boy, whose restless character makes him different people and life situations.

Kamil’s peaceful life with his three wives in the remote region of Turkestan is disrupted when the fourth wife arrives. Changes simultaneously rush at a family that seem far from a historical upheaval that destroys long-standing family traditions.

Documentary film “Shukhrat Abbasov. Close-up" is dedicated to the memory of People's Artist of the USSR, film director Shukhrat Abbasov (1931 - 2018). Friends and colleagues of the Master (Ali Khamraev, Elyer Ishmukhamedov, Valentina Gushchina, Shavkat Abdusalamov, Maxim Pavlov, Farrukh Zakirov, Odilsha Agishev, Vladimir Vorobey, Natalya Arinbasarova) share their contributions.

A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.

The 'super kelinchak' has found her place as a wife and mother yet is as feisty as the mother-in-law who taught her how to become the perfect daughter-in- law...

This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.

The plot of the film tells about the events of the war era, where the stories of ordinary people are intertwined. The characters were Stalin, Hitler, Churchill, Hess, Ribbentrop, Molotov and Uzbek heroes. The film shows the role of government leaders in the country's domestic and foreign policy, and how their decisions affected the fate of ordinary people.

A story about two brothers - Bakhrom and Umid. Older brother Bakhrom is ready to give his life for his younger brother. After the death of his parents, caring for his younger brother fell on his shoulders. He cooks for him, wakes him up to the university and pays for his studies. You can only dream of such a caring brother. Bakhrom himself is not married, he lives with his younger brother in the same apartment. He is famous as the best auto mechanic, has his own auto repair shop. Umid dreams of introducing his older brother to his teacher, whose name is Nazira. She is beautiful and clever, and also young. Once he still manages to introduce Bakhrom and Nazora. For their short meeting Nazora manages to please Bakhrom. However, the whole idyll is spoiled by an acquaintance with a strange guy, whom Bakhrom helped to fix the car.

Two lovers are torn apart by the violence occurring among the feudal lords in early 19th century Tashkent.

In the cities of Central Asia and Russia, the indomitable Fatima barrages , committing one crime after another . The Prosecutor's office investigator Pyotr Yerozhin gets in her way , not yet knowing how this investigation will be closely intertwined with his own fate.